Saturday, 30 July 2016

Habeas Corpus – the Apollo Players




The first show of our new 2016-2017 season is the hilarious ‘Habeas Corpus’ by Alan Bennett.

While still studying History at Oxford, Bennett started out writing and performing satirical sketches in ‘Beyond the Fringe’ with the likes of Peter Cook and Dudley Moore. He has said that at this time he thought he would end up as a vicar – for no better reason than he looked like one. Thankfully for British theatre, he quickly found his calling as a writer and performer, but he has always been happier, and some may say more successful, as the former.

Alan Bennett is now generally accepted as a ‘National Treasure’: perhaps his best known play currently is ‘The Lady in the Van’ which was made into a box office hit film starring Dame Maggie Smith, and was famously based on his real life experience of having a female tramp living in her van on his driveway. The Apollo Players, incidentally, staged ‘Lady in the Van’ in February 2014 with great success. He is also very well known for ‘The History Boys’, ‘the Madness of King George’ and a string of other plays, alongside his famous ‘Talking Heads’ series of monologues, and of course his laugh-out-loud autobiographical books.

Anyone who has seen any of Bennett’s work will know he has an original, satirical and always entertaining style: ‘Habeas Corpus’ is one of his early plays, dating from 1973, but it stands the test of time well, for its subject matter is ageless, and a good old-fashioned farce with mistaken identities, seaside postcard-style humour and exaggerated characters is always popular. It is a testament to the quality of the play that it has been regularly staged ever since it was written.

Following on from ‘Allo ‘Allo! which completely sold out every night of its run, this is likely to be another very popular show, so our advice is to book your seats early to avoid disappointment: tickets are now available online here: http://www.apollo-theatre.org.uk/habeas-corpus/


Friday, 29 July 2016

Worst Case Scenario - Concoction Theatre Company at the Apollo!

Concoction Theatre Company landed on our Apollo stage with a theatrical feast for the senses. With their production of “Worst Case Scenario” they delivered a fast-paced energetic and technically brilliant performance.

Most of the cast met whilst studying BA World Performance at East 15 where they conceived, devised and developed this comic piece. As two of the actors were educated on the Isle of Wight, it was a delight to have the opportunity to see them return as professionals and share the fruits of their training with an Island audience.

The story is bizarre and extraordinary, a court case conducted by animals after the last surviving dodo is injured in a road collision with a motorbike. The motorbike and the driver are both accused, with a squirrel, a cat and a hedgehog (among others) also having to take some responsibility for the incident. Humans, machines and animals are all of equal status in the courtroom, but this is like no other courtroom drama you will have seen before.

With excellent make-up and costumes, physical theatre techniques and characterisation, the characters are all believable, quirky and endearing. There are beautiful contrasts in pace with sudden changes from real time into slow-motion, innovative use of props in the collision scene, music used to create different moods with precise movements to enhance the comedy.

Uplifting, joyful, funny, charming and totally absorbing. 55 minutes of high class entertainment.


The company will be performing Worst Case Scenario at The Cockpit theatre in Camden from 3rd to 6th August.

For more information and to book tickets, go to: http://www.worstcasescenarioonstage.com/

Review by Helen Reading.

Friday, 15 July 2016

‘Allo ‘Allo! – Review


What can one say about this show? Obviously, it’s very, very funny – as attested by the raucous laughter emanating from the audience at every performance so far. It is also the first show for a long while to be completely – and I mean completely – sold out at the Apollo. In fact, demand has outstripped seating capacity so much that we have had to disappoint huge numbers of people, to whom we apologise.

For those lucky enough to get tickets, this was a real treat of a show: audiences could get into the action very quickly, as the characters are already familiar to viewers of the long-running hit TV show, so as soon as the world-weary Rene entered his cafe, Yvette appeared, seductively whispering ‘Oh, Rene’, or Edith started to sing, we knew exactly what to expect.

The disadvantage of taking on such a popular show however, is the challenge of getting the characters exactly right, and without exception, the cast have captured the essence, and in many cases, uncannily the physical appearances, of their TV counterparts perfectly. This is due in no small measure to Steve Reading’s casting and directing, but also to the skills of the actors, augmented by the costume department coming up with just the right clothes, uniforms, wigs and so on. The cleverly designed, adaptable set, with a revolve enabling several places to be represented, also contributed to the atmosphere.

It would be unfair in such a talented cast to single individuals out for praise, as every single character was hilarious in their own way. However, one has to note the sheer physical stamina of Drew Adcock who, as a perfectly downtrodden Rene, carried the plot along throughout. He was ably assisted by Glenys Williams who delighted audiences with her beautifully off key singing, and by newcomers to the Apollo stage, Joanna Jenner, vamping it up as Yvette and Esther Poucher (Mimi), a wonderfully tiny ball of aggression.

Other regulars in the cafe – to Rene’s obvious dismay – were Maria Wilkinson’s Michelle, who delivered her catchphrase ‘I will say this only once’ perfectly, and managed to be believably a Resistance member even dressed as a nun and a ‘lady of the night’; and ‘It is I, Le Clerc’ played with fantastic eccentricity by Danny Carmichael. We also of course had regular visits from John Abraham’s  Officer Crabtree: quite apart from the mispronunciations, it will take a while to lose the memory of the ‘poloceman’ being caught by Gruber bending over with his trousers at half mast!

I mentioned wigs above, and the subplot of the Colonel’s ‘wiglet’ was played perfectly by Ian Moth as von Stromm himself, alongside Jack Tutt’s Bertorelli, winner of the most over the top Italian accent on the stage: his impersonation of Hitler telling a joke was a high spot of the night. Lieutenant Gruber, played by Dave Newton, deservedly received some of the loudest laughs with his physical comedy as he flirted outrageously with Rene.

The Gestapo was there of course, and Pete Harris’s Herr Flick captured every essence of the officer, from his cane and stiff-legged walk to his penchant for dressing up: Flick in a cinema usherette’s uniform had to be seen to be believed. Helen Reading as Helga was his perfect foil: her finest moment was her reaction to being asked to model the Gestapo suspender belt, complete with mousetraps: ‘and don’t cross your legs’! Reuben Loake, another Apollo newcomer, was excellent barking orders as General von Schmelling.

Add in a plot comprising a hidden Fallen Madonna painting; a few knockwurst sausages and a plot to impersonate Hitler; a couple of perfectly ‘hooray Henry’ airmen (Matt Coles and Lewis Wheeler), French peasants providing both atmosphere in the cafe and help with scene shifting, and the front of house staff (and some of the actors) mingling with audiences before the show and at the interval, and you have an amazing show.


Yes, they had a good script, written by the TV show’s original writers, Croft and Lloyd, as a basis, but the cast and crew of ‘Allo ‘Allo! have more than done justice to it – they have made it their own, and fully deserve the success they have achieved. Well done all!

Friday, 24 June 2016

New Actors say ‘Allo ‘Allo to the Apollo!

The Apollo Players are always on the lookout for more new talent, whether onstage or to contribute to the multitude of skills that go to make a production, and we are delighted to welcome three brand new Apollo actors to the stage for ‘Allo ‘Allo! which opens on July 8th.

Reuben Loake is familiar to Island audiences for his many performances with the Newchurch Players and Origins Theatre to name but two, in roles ranging from pantomime dames to an anguished would-be suicide. His breadth of experience ideally suits him for the role of General Schmelling, the über-officer in charge of the bumbling German presence in Nouviens.

Joanna Jenner, playing the seductive Yvette, also has plenty of experience to bring to our stage: a theatre studies graduate, she is a dance and drama teacher who is involved with RedTIE 's new Physical Theatre.

The role of Mimi is always a challenging one to fill: the actress must be young, small, attractive and highly talented. However, director Steve Reading has managed to find a newcomer to the Apollo stage who fits all these requirements: Esther Poucher is another RedTIE actress who is making a transition to the adult stage with stunning results.

We would like to welcome our three newcomers to the Apollo – they are part of a brilliant cast currently rehearsing what will be an amazing show!



‘Allo ‘Allo! runs from 8-16 July: tickets and more information here: http://www.apollo-theatre.org.uk/allo-allo/

Sunday, 22 May 2016

Little Gem – The Apollo Players

The first night audience may have been uncertain what to expect when the curtain opened on Little Gem: an all-white, abstract set with six chairs and three table-like structures, painted in pastel shades of pink, blue and green.
When the first character entered, strode straight to the front of the stage and addressed the audience directly, we realised that this play breaks many of the traditional theatre conventions: there is no ‘fourth wall’ and the three main characters speak entirely in monologues: the only ‘conversations’ are those reported by the character who is speaking.
The stage furniture is conceptual and used variously to represent a nightclub bar, doctor’s and counsellor’s surgery, kitchen table, hospital waiting room and so on. There are also two non-speaking characters dressed in traditional mime outfits who represent different people in the characters’ lives as they are talking about them.
Once you have attuned yourself to this new way of staging, the narrative of the play shines through clearly, with moments of great humour and sadness.
Set in London, Little Gem centres round the lives of three generations of women in one family, and follows them through several months of ups and downs.
We initially see Amber as the archetypal wayward teenager as she prepares for her prom night, worries about the state of her on-off relationship with her boyfriend, and faces the consequences of her actions. Britney Kent, a newcomer to the Apollo stage, plays her with intense realism and draws our sympathy, if not her mum’s, in her efforts to come to terms with what life has thrown at her.
Amber’s mother Lorraine has her own struggles:  her ex-husband has left her nervous, obsessive and suffering from low self-esteem. Amy Burns adroitly brings out Lorraine’s personality from the beginning of the play with understated body language and expression, and her performance engages us as we see her gradually respond to new opportunities and blossom. The scene in which she goes home with a new boyfriend, only to feel compelled to reject his advances in favour of tidying his son’s bedroom is hilarious, with an undercurrent of pathos.
Completing the trio is Kay, Lorraine’s mother, who is slowly coming to terms with the fact that a stroke has left her beloved husband Gem in need of her care, while she is left mourning the man he was – and bereft of sex! Another very funny scene sees Kay visiting an Ann Summers shop – and later attempting to use the device she has rashly purchased. Her comment at the end of this scene: ‘I can’t cheat on him – not even with a piece of luminous green plastic’ marks the transition from comedy to tragedy, and Helen Clinton-Pacey, one of the Apollo’s most experienced actresses, deftly brings the audience from hoots of laughter to tears in the closing scenes of the play.
Special mention must be made of Carole Crow and Eve Fradgley whose anonymous appearance belies the skill with which they silently portray a multitude of characters ranging from a nightclub bully to old Gem, bringing the monologues adeptly to life and giving the speaking characters responses to play off. The introduction of these characters was the inspiration of the director, Maggie Cardew, and it works brilliantly against the set designed by Louis Lawrence.
The final scene brings all three women together in an uplifting finale which shows us that this little family will weather their trials and tribulations and always come up smiling – for they have each other. And that’s what families are about!

A delightfully different offering from an experienced and very popular Island theatre group, Little Gem runs next week from Tuesday 23 to Saturday 28 May. Shows begin at 7.30 pm and tickets are available here:  http://www.apollo-theatre.org.uk/little-gem/ or on the door.

Sunday, 15 May 2016

Little Gem – Dress Rehearsal!

The first Dress Rehearsal! Always mixed feelings amongst a cast on this day in any production...

The first time you get to wear the actual costume for your character and some actors find they can only now really get into that character properly.

After weeks of walking around a rehearsal room you are actually on stage, with real props, a proper armchair to sit in and a real set behind you.

Instead of pretending to hear a telephone ring or a doorbell, there are actual, real sound effects. In Little Gem, that includes actual, real music......

And yes – it really is that far to walk from the door to that table!!

If you’re backstage, have you got all the cues in the right place? Are all the props present and correct? Do the costumes look right – and have the actors remembered to take off any jewellery etc that doesn’t fit with their character?

Then reality hits everyone: if it’s the first dress, that means it’s less than a week to the actual first night!!

So today is bound to be a roller coaster of emotions for our Little Gem actors, backstage crew, technical crew – and of course the director, whose work is nearly done.

Just a few more tweaks here and there – and we’ll be ready for our first night audience!

So come and see the results of our hard work on May 20th or one of the subsequent nights.

Little Gem is playing at The Apollo Theatre on May 20, 21, 24,25,26,27 and 28, 7.30pm.

Tickets available here: http://www.apollo-theatre.org.uk/little-gem/ , by phoning the Box Office on (01983) 527267 or visiting the theatre during Box Office opening hours


Monday, 9 May 2016

Our Silent Actors Speak Out!

The cast of Little Gem include two actors who never speak, Carole Crow and Eve Fradgley....

...so we thought it was only fair to let them say something now.

Your roving reporter asked them about their roles...

Q Can you briefly describe your role in Little Gem?
Carole:
I'm playing the part of many 'shadows' as they are being projected from the minds of the three main characters!
Eve:
My role is one of the Shadows or "Spectres" it's really good fun and a massive challenge. I have to be able to twist my body into 100 different shapes and sizes and become whoever I need to be in an instant!

Q Isn't it easier having a role with no words to learn?
Carole:
Easier! Oh no! I've had to really dig deep to get into these characters without words and as the main actresses have so expertly developed their roles, so the shadows have too.
Eve:
No!!!! I thought it would be easy, having done roles with huge amounts of lines to learn but boy was I wrong! I have found myself more worried about this than anything else! Remembering who I am and what I'm doing is challenging, but I don't envy the girls who are speaking, they are doing a fab job!

Q Have you ever done anything like this before on stage?
Carole:
Never! I've always loved playing strong character roles but this is a big step into the unknown!
Eve:
No I haven't, I've done a lot of theatre, from straight acting, comedy, musicals and even dance performances, but I have never had to spend so much time silent. I have done physical theatre before, so it's been really fun being able to use some of those skills, and it's been interesting to learn many more new ones. For once I have to really think about my characters in greater detail, as I'm playing more than one, and I don't have a voice or costume to indicate who is who!

Q Your 'look' is quite anonymous. Why?
Carole:
I'm not real! I'm just an image that has to be portrayed by movement and expression in an instant, without a costume or a voice. I hasten to add that I am clothed!
Eve:
We need to be able to morph into anyone, and quickly, using our bodies and faces instead of costume. The androgynous look makes it easier. It also is a reminder to the audience that we aren't really real, just ghosts of the past helping to tell the story of these characters and their lives.

Q What's the hardest part about performing your role?
Carole:
At first it was keeping my mouth shut! Then letting go, allowing myself to immerse into each shadow. It's certainly been a learning curve but great fun and lovely working with such talented people.
Eve:
Having to let it all go. Hard to believe but I'm actually quite a shy person (I know, I know) and with this role I have had to really go for it, and not be afraid to make a bit of a laugh out of myself, and use my face and body in great exaggerated movements! I'm glad I have had the opportunity as it is probably something I would have shied away from.


Eve (left) and Carole onstage during rehearsals for Little Gem.