Saturday 30 July 2016

Habeas Corpus – the Apollo Players




The first show of our new 2016-2017 season is the hilarious ‘Habeas Corpus’ by Alan Bennett.

While still studying History at Oxford, Bennett started out writing and performing satirical sketches in ‘Beyond the Fringe’ with the likes of Peter Cook and Dudley Moore. He has said that at this time he thought he would end up as a vicar – for no better reason than he looked like one. Thankfully for British theatre, he quickly found his calling as a writer and performer, but he has always been happier, and some may say more successful, as the former.

Alan Bennett is now generally accepted as a ‘National Treasure’: perhaps his best known play currently is ‘The Lady in the Van’ which was made into a box office hit film starring Dame Maggie Smith, and was famously based on his real life experience of having a female tramp living in her van on his driveway. The Apollo Players, incidentally, staged ‘Lady in the Van’ in February 2014 with great success. He is also very well known for ‘The History Boys’, ‘the Madness of King George’ and a string of other plays, alongside his famous ‘Talking Heads’ series of monologues, and of course his laugh-out-loud autobiographical books.

Anyone who has seen any of Bennett’s work will know he has an original, satirical and always entertaining style: ‘Habeas Corpus’ is one of his early plays, dating from 1973, but it stands the test of time well, for its subject matter is ageless, and a good old-fashioned farce with mistaken identities, seaside postcard-style humour and exaggerated characters is always popular. It is a testament to the quality of the play that it has been regularly staged ever since it was written.

Following on from ‘Allo ‘Allo! which completely sold out every night of its run, this is likely to be another very popular show, so our advice is to book your seats early to avoid disappointment: tickets are now available online here: http://www.apollo-theatre.org.uk/habeas-corpus/


Friday 29 July 2016

Worst Case Scenario - Concoction Theatre Company at the Apollo!

Concoction Theatre Company landed on our Apollo stage with a theatrical feast for the senses. With their production of “Worst Case Scenario” they delivered a fast-paced energetic and technically brilliant performance.

Most of the cast met whilst studying BA World Performance at East 15 where they conceived, devised and developed this comic piece. As two of the actors were educated on the Isle of Wight, it was a delight to have the opportunity to see them return as professionals and share the fruits of their training with an Island audience.

The story is bizarre and extraordinary, a court case conducted by animals after the last surviving dodo is injured in a road collision with a motorbike. The motorbike and the driver are both accused, with a squirrel, a cat and a hedgehog (among others) also having to take some responsibility for the incident. Humans, machines and animals are all of equal status in the courtroom, but this is like no other courtroom drama you will have seen before.

With excellent make-up and costumes, physical theatre techniques and characterisation, the characters are all believable, quirky and endearing. There are beautiful contrasts in pace with sudden changes from real time into slow-motion, innovative use of props in the collision scene, music used to create different moods with precise movements to enhance the comedy.

Uplifting, joyful, funny, charming and totally absorbing. 55 minutes of high class entertainment.


The company will be performing Worst Case Scenario at The Cockpit theatre in Camden from 3rd to 6th August.

For more information and to book tickets, go to: http://www.worstcasescenarioonstage.com/

Review by Helen Reading.

Friday 15 July 2016

‘Allo ‘Allo! – Review


What can one say about this show? Obviously, it’s very, very funny – as attested by the raucous laughter emanating from the audience at every performance so far. It is also the first show for a long while to be completely – and I mean completely – sold out at the Apollo. In fact, demand has outstripped seating capacity so much that we have had to disappoint huge numbers of people, to whom we apologise.

For those lucky enough to get tickets, this was a real treat of a show: audiences could get into the action very quickly, as the characters are already familiar to viewers of the long-running hit TV show, so as soon as the world-weary Rene entered his cafe, Yvette appeared, seductively whispering ‘Oh, Rene’, or Edith started to sing, we knew exactly what to expect.

The disadvantage of taking on such a popular show however, is the challenge of getting the characters exactly right, and without exception, the cast have captured the essence, and in many cases, uncannily the physical appearances, of their TV counterparts perfectly. This is due in no small measure to Steve Reading’s casting and directing, but also to the skills of the actors, augmented by the costume department coming up with just the right clothes, uniforms, wigs and so on. The cleverly designed, adaptable set, with a revolve enabling several places to be represented, also contributed to the atmosphere.

It would be unfair in such a talented cast to single individuals out for praise, as every single character was hilarious in their own way. However, one has to note the sheer physical stamina of Drew Adcock who, as a perfectly downtrodden Rene, carried the plot along throughout. He was ably assisted by Glenys Williams who delighted audiences with her beautifully off key singing, and by newcomers to the Apollo stage, Joanna Jenner, vamping it up as Yvette and Esther Poucher (Mimi), a wonderfully tiny ball of aggression.

Other regulars in the cafe – to Rene’s obvious dismay – were Maria Wilkinson’s Michelle, who delivered her catchphrase ‘I will say this only once’ perfectly, and managed to be believably a Resistance member even dressed as a nun and a ‘lady of the night’; and ‘It is I, Le Clerc’ played with fantastic eccentricity by Danny Carmichael. We also of course had regular visits from John Abraham’s  Officer Crabtree: quite apart from the mispronunciations, it will take a while to lose the memory of the ‘poloceman’ being caught by Gruber bending over with his trousers at half mast!

I mentioned wigs above, and the subplot of the Colonel’s ‘wiglet’ was played perfectly by Ian Moth as von Stromm himself, alongside Jack Tutt’s Bertorelli, winner of the most over the top Italian accent on the stage: his impersonation of Hitler telling a joke was a high spot of the night. Lieutenant Gruber, played by Dave Newton, deservedly received some of the loudest laughs with his physical comedy as he flirted outrageously with Rene.

The Gestapo was there of course, and Pete Harris’s Herr Flick captured every essence of the officer, from his cane and stiff-legged walk to his penchant for dressing up: Flick in a cinema usherette’s uniform had to be seen to be believed. Helen Reading as Helga was his perfect foil: her finest moment was her reaction to being asked to model the Gestapo suspender belt, complete with mousetraps: ‘and don’t cross your legs’! Reuben Loake, another Apollo newcomer, was excellent barking orders as General von Schmelling.

Add in a plot comprising a hidden Fallen Madonna painting; a few knockwurst sausages and a plot to impersonate Hitler; a couple of perfectly ‘hooray Henry’ airmen (Matt Coles and Lewis Wheeler), French peasants providing both atmosphere in the cafe and help with scene shifting, and the front of house staff (and some of the actors) mingling with audiences before the show and at the interval, and you have an amazing show.


Yes, they had a good script, written by the TV show’s original writers, Croft and Lloyd, as a basis, but the cast and crew of ‘Allo ‘Allo! have more than done justice to it – they have made it their own, and fully deserve the success they have achieved. Well done all!